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Music

Listen To Fatima Al Qadiri's Subversive Cover of The Star-Spangled Banner

Happy 4th of July, Y'all!

Nothing says "Hey Britain, we fucked ya!" quite like 'The Star-Spangled Banner', the colonial era's answer to the drive-by mooning. Released just in time for Independence Day, Fatima Al Qadiri's liquid nitrogen re-working of the national hymn for the Adult Swim channel is a pointed statement from the artist; a sinister détournement that drains the anthem of its quasi-religious triumphalism, and replaces it with a moral ambiguity. However you look at it, though, subversion is rarely this gorgeous.

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Al Qadiri spent a period of her childhood playing Desert Strike: Return to the Gulf, so if this re-working is any indicator, the experience has left a deep impression on her style. On the one hand, the track speaks of bystander guilt, and of her discomfort with the imperialist crusade (notice the oil-black pressure drop the track concludes with),  whilst the track's celestial aura serves to further mythologize the mother of all American icons: its theme song. Either way, this is some interesting music-making: like Eno by way of Vatican Shadow.

You can stream the track in full below, and read our interview with Al Qadiri about her stunning debut album Asiatisch here.

Nothing says "Hey Britain, we fucked ya!" quite like 'The Star-Spangled Banner', the colonial era's answer to the drive-by mooning. Released just in time for Independence Day, Fatima Al Qadiri's liquid nitrogen re-working of the national hymn for the Adult Swim channel is a pointed statement from the artist; a sinister détournement that drains the anthem of its quasi-religious triumphalism, and replaces it with a moral ambiguity. However you look at it, though, subversion is rarely this gorgeous. 

Al Qadiri spent a period of her childhood playing Desert Strike: Return to the Gulf, so if this re-working is any indicator, the experience has left a deep impression on her style. On the one hand, the track speaks of bystander guilt, and of her discomfort with the imperialist crusade (notice the oil-black pressure drop the track concludes with),  whilst the track's celestial aura serves to further mythologize the mother of all American icons: its theme song. Either way, this is some interesting music-making: like Eno by way of Vatican Shadow.  

You can stream the track in full below, and read our interview with Al Qadiri about her stunning debut album Asiatisch here.